Thursday, November 27, 2014

Dead Man’s Suit

I’m at a tailor in my town.
Waiting to have my suit altered.

The shop
Has been here forever
Unchanged
I’m sure.

A somewhat tacky
Slightly uncomfortable pink painted inside
Sparingly decorated 
With some second or third hand 
Furniture.

Just a few vinyl-leather benches 
And a laminated desk
Really.

An anonymous woman
Stands on a carpeted box
In the center 
Of the wall-to-wall 
Carpeted room.

The tailor kneels
In front of her.

“No, no honey! Look straight ahead!”
She said in her thick accent.

She appears to be in her mid-forties.

A jet-black haired Romanian gypsy.

She is the ony life
In the shop.

She sticks pins
In her mouth 
And in the base 
Of the gown 
That the woman 
Is wearing.

She tells the woman
To go get changed
And writes a receipt
Up on paper.

Old school.

There is no computer.

When the woman returns
The tailor 
Adds her gown
To the several racks
Behind her desk.

“Two weeks!”
She commanded
And gave her a firm date.

“You can try it on here to see if you like.”

“And Honey...I don’t take the credit cards. Cash only.”

She nods to me
And tells me 
To go into the same closet
And change.

Which I do.

When I come out
She instructs me

“Sweetie!”

“Get up there!”

Gesturing to the box
In the middle of the room.

“Oh my god!  Sweetie, that’s a beautiful suit!”

I can’t argue with her.

It looks good in her mirrors.

I’m wearing 
A top-tier
Hugo Boss 
Finest-Virgin-Wool
Number
Designed by
Baldessarini.

The label shows
That it was
Client-made
For my friend’s father
Who was a high profile lawyer
In Philly.

He died
And I ended up 
With one of his suits.

She showed me
Where she was going
To tuck in the sides
Of the jacket.

It really did look better.

She could see my half-smile.

“That looks really good, right sweetie?”

I nodded in confirment.

It was while she was determining
How she was going to take in
The pants

That the door-chime rang
And the front door to the store
Opened.

A beaten man walked in.

He had a gimp leg.

He shuffled in and closed the door.

His skin was yellow.
His hair silver and greasy.

He was dirty from the world outside.

He placed a filthy orange parka coat 
On the desk.

Without missing a beat
The tailor walked over and picked up the coat
Inspecting it.

“I need the zipper fixed.”
He drawled.
“Winter’s coming.”

He had broken teeth
And his right hand 
Was all fucked up.

She inspected the zipper.

“Well...”
She said.
“If I can just fix it, it’ll be ten dollars.  If I have to replace it, it’ll be sixteen...”

“Fine, fine.”
Came out of him.

She wrote his name and phone number 
Down on a receipt.

He didn’t want to take  
His fucked up right hand
From his pocket
Out of embarrassment
Taking the receipt
With his left.

“Two weeks Sweetie.”

She gave him a firm date.

She called him 
‘Sweetie’
Too.

The tailor came back to me
And finished up
With the pants.

When she gave me my receipt
Telling me the same two week eta
And that she only took cash...

I asked her...

“Is that guy that was just in here a repair or a replacement?”

“I don’t know until I look at it.”
She replied.

“Well then. Consider it a replacement.”
I said
And handed her a twenty.

“You can put the difference towards my suit.”

“Just don’t tell him who it was from.”

I looked at her knowingly.

I’ll be there on the exact date
Specified on her receipt
With 
Cash.

And she better
Call
Me 
‘Sweetie’.

I think she has it
In her.

Thursday, November 13, 2014

This Bitter Earth



It starts with the warmth
Of a piano
Then the sensitive swing
Of an upright bass
And brushes on percussion

And finally

Your voice 

Strong
Emotive
Graceful
Honest
Intuitive

“This bitter earth...”

I listen to you sing
While I drive
Under the sun
Filtering through 
Colorful leaves

You phrasing the words

“What good is love...Mmmmmmmm...That no one shares...”

The four instruments
Dance around each other

Ne plus ultra

As my tears 
Begin to fall

“Today you’re young...Too soon you’re old...”

Oh
You’ve sang this song before

Perhaps
In a past life

You own it with majesty

And like your old man

Dinah Washington and Clyde Otis
Would be so proud

Tuesday, November 11, 2014

Oral Sex



Though it’s rarely been hung
On a museum wall

Properly

Nor the walls of a prestigious
Uptown gallery

There is no finer art
To behold

To marvel at

To succumb to

Vauxhall (Victorian Pleasure Garden) (1819)



Ramo Sami
Was quite the figure
To behold
As he surveyed the grounds
Of the great park.

His dark brown skin
Swathed in the purest of white
Flowing robes
With a matching turban.

Several 
Simple gold rings
Adorned both his 
Fingers and toes.

He set up for his performance
Just outside of a cafe
Where they served a strong punch
Charcuterie, fresh bread, olives and cheese.

He marked his stage area 
With a colorful thin wool carpet
That he brought from back home.

Ramo Sami looked past 
The shadows
Of some wire walkers
Performing
In one of the gardens
Focusing on the details
Of an ornate
Hot air balloon
As it ascended
Into the early evening sky
With pleasure seekers and lovers
Intent on 
Having an exciting view
Of the South Bank
Of the River Thames.

A grand Turkish tent
Was to his immediate right
As he faced out from the cafe.

Resplendent
With immense tapestries
Rugs and pillows.

It was an inviting refuge
For the amorous
And the prostitutes
That frequented the park.

This was an ideal location
For him to set up
Because of the continual 
Parade of pedestrian traffic
That meandered
Along the paved promenade.

It turned out to be
Quite the pleasant autumn day
After all.

The whispery gossamers
In the surrounding
Well-maintained 
Shrubbery
Or perhaps
Floating in the air.

The scenery tonight
Reminded him
Of when he performed
On the veranda
Of the Shepeard’s Hotel
In Cairo, Egypt.

His profession 
Was regarded as noble
In his native India
Dating back hundreds
Of years.

He performed 
For many crowned heads
Throughout Europe.

Here
Most regarded his trade
As simple entertainment
Or
As to a few elitists
As some shameful kind of pandering.

But it was a living
In England
And the establishment
Paid him well.

He was a conjuror.

A manualist.

Instead of deceiving the eye
He thought of his art
As pleasing to the eye.

Ramo Sami was one of the world’s
Greatest jugglers
Orbiting
Four hollow brass balls
The size of oranges
Between his hands
Then 
Pausing
Them on the top of his bare feet
Or resting them 
In the crook of his neck.

He could volley 
The balls 
Behind his back
As well as in front.

He looked around
At the formal gardens
And exhibit halls.

The roof of the conservatory
In the distance.

Dusk was falling.

The flickering glow
From gas lanterns
Streetlamps
And candles
Warming the park’s interior.

He put on display
His tall wicker basket
Of swords
Of varying lengths
And widths.

For inbetween juggling
He would swallow
Swords
To the audience’s excitement.

He laid out his card tricks
On the carpet.

Mere distractions.

He set up his dinner.

A plate of dry tow
A pepper box 
With ground sulpher and rosin.

Of which he’d light the tow
And with a knife and fork 
Proceed to eat
An inflamed dinner.

Ramo Sami
Prepared
One of the simplest
And one of the most elusive tricks
Right there on the carpet
In front of everybody.

The East Indian Needle Trick.

A feat that showed him
Putting a handful of needles
And a circle of thread 
In his mouth
Only to pull the needles out of his mouth
Entwined every
Several inches
Or so 
Like a clothesline.

He could feel it.

The time was now.

It was perfect.

There was energy in the air.

The mystery of reality
Meets night magic.

He began 
His performance.

He had an hour
Until the fireworks
Began.

He was a master.

It began with four
Hollow brass balls.